The central exhibition afterglow is in line with this year's overall programme strategy of exhibiting only new or commissioned works. In a curatorial and organisational collaboration between transmediale and LEAP (Lab for Electronic Arts and Performance), the festival has invited internet-based non-profit Art Hack Day as a grassroots event/exhibit format/community for artists whose medium is tech and hackers whose medium is art.
Art Hack Day is an internet-based nonprofit dedicated to hackers whose medium is art and artists whose medium is tech. We bridge the gap between art, technology and entrepreneurship with grassroots hackathons & exhibitions that demonstrate the expressive potential of new technology and the power of radical collaboration in art. We believe in non-utilitarian beauty through technology and its ability to affect social change for public good.
その場でコラボレーションの相手を捜し、わずか三日間で作品をつくりあげるという「アートハックデイ」。2014年の「トランスメディアーレ」の展示作品はこの「アートハックデイ」のルールに則って制作された。「トランスメディアーレ」の今年のテーマである『アフターグロウ』に、『新作あるいはコミッションワークのみの展示』という「アートハックデイ」の製作条件が加わり、さらに日本から招かれた「インターネット闇市」というイベントもひとつの作品として〝展示製作〟された。
トランスメディアーレとLEAP（Lab for Electronic Arts and Performance）の共同キュレーションと運営により、アートハックデイの、ルール、展示形式、コミュニティをそのまま招き入れたこのイベントには、技術をメディア化するアーティストとアートをメディア化するハッカーたちが、世界各国から招集された。
Art Hack Dayはインターネットという環境をベースに、アートをメディア化するハッカーと、技術をメディア化するアーティストのための、新たなコラボレーションの形を提示する非営利組織だ。草の根的なハッカソンと様々な形態で行われる展覧会によって、アート、技術、起業家精神の間に橋を架け、新しい技術と表現、過激なコラボレーションの可能性を提示する。
Art Hack Dayは非実用的な技術の美しさが、社会をこれまでにない方向に変えうる可能性を持つと信じている。
This book is documentation by participating artist Gento Matsumoto, following the Art Hack Day project in transmediale.
本書は、自身も作家として公式参加したBCCKS松本弦人が、「アートハックデイ」の三日間の製作現場を追ったドキュメントであり、その製作過程と本書そのものも「アートハックデイ」のひとつの参加作品として展示された。
Back to Sender
D a n i P l o e g e r + J e l i l i A t i k u
In December 2013, the artists spent a week together in Lagos, Nigeria collecting electronic waste originating from Europe. The material was returned to Europe. Back to Sender prayers are a controversial practice among Christians in Nigeria, rooted in traditional Yoruba religion and medicine. The prayers are used to return evil to those who sent it to you.
untitled
Alma Alloro and Anthony Antonellis
Data Retention - Resurrection
B e n g t S j ö l é n
N i c k l a s M a r e l i u s
10 kg From the New Factory
Sebastian Schmieg + Johannes P Osterhoff
Destructed hard drives from a Google datacenter in Belgium On raised floor with neon
Wertkorper
G e r a l d i n e J u á r e z
Performance party
PRISM: The Beacon Frame
D a n j a V a s i l i e v , J u l i a n O l i v e r
Has-Been Trash Bin
Carl Emil Carlsen & Christian Villum (Science Friction)
Let's empty the trash and celebrate the has-beens, in all their nostalgic uselessness, let's spare them a moment of attention and contemplate how much has really changed.
Undefined
J a k o b B a k
P r i y a n k a K o d i k a l
Traces of audible trash lingers in the air as the afterglow overrides the cityscape. Undefined midibytes caught by the undefined device allows us to communicate with 'left over' art. As we travel through the exhibition space we transcend to discover a sonic cartography orchestrated by the madmatter in real time. We collect sonic memories of our electromagnetic conversations with the art work around us.
Honeypot
R o b e r t B ö h n k e , J o h a n U h l e
In computing, a honeypot is used by security researchers to attract attacks in the wild. It is deliberately left insecure. We like to think of our personal electronic devices as secure. But recent revelations have shown, that they might be just as open as a honeypot, left insecure on purpose. All your devices are belong to whom?
Entinnern
D a n i e l F r a n k e
As digital Information is in its sense not under the effect of entropy – it will remain unchanged last forever - immortal in a natural sense. But if we think of the natural process of dying as the movement and interplay of matter - it seems to be an important process for creating sth. new. Forgetting in a sense to constantly (by itself) loose information is no peculiarity of the digital. This needs to be actively done in a sense of the german "entinnern" - a forced loosing of information - a digital entropy. The work forces to for-get Data in process of printing a standart 3D testobject and 3D-scanning it - this process is repeated several times - information is lost.
In the highest in the best: "Welcome to" post digital Afterglow
R o s a M e n k m a n
In every Transmediale festival shit just get wacked. Stuff is used so often so damn much people don't even know what's going on. Transmediale B/Lingo. Bingo cards that expose the (evolving) vernacular of the Transmediale websites between 2009-2014. The keywords are derived from scraping and subsequently frequency-organizing terms.
Past, Present, Future Future Future
A n d r e a s F i s c h e r
exercice noise
H e l g a W r e t m a n
Banality of Affect
A n n i e G o h , P a u l C h r i s t o p h
Measuring the moods of the Twitter feeds of the top 5 trance DJs and 5 top news feeds, this installation rectifies presumed emotional responses to our surrounding media. If the mood of the outside world worsens, the trance music and visuals get more "euphoric". If the outside world is doing OK, the trance music and visuals dare to get deeper and more melancholic.
BbB Bit by Bit
Justin Blinder and Benjamin Gaulon
BbB is a cloud shrinking service for digital waste and data recycling. During Art Hack Day BbB will be presented as a network performance and installation displaying the latest pastebin* uploads, while at the same time, requesting for the content to be removed by sending automatic cease and desist emails. Each file displayed is visible for the last time at Transmediale 2014 and projected onto light sensitive surface leaving an afterglow for a short amount of time. During the festival BbB will help bit-by-bit reducing the data accumulated on the internet.
Elephants' Graveyard
W o l f g a n g S p a h n
160 analog pictures (taken in the last 5 years) of abandoned ewaste in Berlin's streets.
Verflüssigtes Gestänge
J a n a L i n k e , K a t r i n C a s p a r
The after of now always exists.
Constantly reshaping. Movement now. The solid framework gets liquefied by light in motion.
Circe's New Equipment
N a n c y M a u r o - F l u d e , E m m a B u g g
Assemblage of paraphernalia. Presented as if it is an altar, although not to worship, but to contemplate the wreckage - the sacrificial destruction of utility, the drives, forms and structures, the exuberance and vertigo that embrace both the human and non-human orders.
exonemo.com/fireplace
exonemo, Internet dude, copy-paste
Once upon a time, the hearth was the heart of the home. Then the TV took its place, then the computer. This too will pass. We propose a bonfire for all of the keyboards, mouses, we're leaving behind, going into "smart appliances": A new fireplace to warm our restless souls.
Discontent.us
I g a l N a s s i m a & A H D
A collection of Digital Trash from Art Hack Day participants, analyzed, parsed and dumped. Available for sale.
Launchpad
P h i l i p p R o n n e n b e r g
The project explores how uncanny methods, usually used by hackers with criminal intend, could be opened up and democratized. Launchpad proposes a legal botnet which is capable to perform DDoS attacks over the Internet. The whole process of attacking a website is achieved with a network of devices run by the users of the network in their homes. These Internet enabled devices a ready to plug & play a DDoS attack and actively contribute to a protest from the living room.
Mobile mining: “I wont’ give you my mobile phone - there’s too much gold in it!”
N i c k l a s M a r e l i u s
K r i s t i n a L i n d s t r ö m
Å s a S t å h l
The mobile mining at Transmediale is one instantiation of the mining for liveable lives that take place around the world by: Immigrants without documents in Spain; chemicals; bacterias; mining companies that have exchanged underground mining for e-waste and domestic entrepreneurs that try to make a fortune out of their own trashed mobile devices.
Laid to Rest
Q u i n K e n n e d y
Dead links are purged from the cloud, in memoriam, on a continuous scroll.
Mind Your Own Dizziness
B u d h a d i t y a C h a t t o p a d h y a y
Creates a set of ‘object-disoriented’ auditory situations that trigger thoughts within mindfulness of a wandering listener. These thoughts (con)textualize the pervasive interaction with these immersive but evanescent auditory situations that the listener comes across at the site of Art Hack Day Berlin at HKW.
Human Cursor
A k i h i k o T A N I G U C H I
L a u r a W a d d e n
S h u n y a H A G I W A R A
R a c h e l U w a
We choose the cursor's every move, but how much choice do we really have? Human Cursor explores our connection and interaction with the Web. When you find yourself inside the computer screen, in the "flesh," would it change your behaviour or how you feel while surfing?
Septic v1.0 (working title)
M a r c o D o n n a r u m m a
B a p t i s t e C a r a m i a u x
A computer filled with digital viruses "infects" human bodies by literally transducing those viruses into infrasounds and low frequencies sounds that resonate the visitor's bones and skull by means of high-power mechanical vibrations. A video monitor shows the surrounding visitors the virus data as it is being transmitted into the new host body.
Mining the Arbitrary
Jens U Jørgensen + Rosemary Lee
In the light of the anthropocene, even substances such as water, snow, stone, and Earth bear evidence of the effects of humanity. Collecting, inventorying, and analyzing samples of various substances sourced in Berlin, we begin to unearth the cumulative production of waste information and materials.
Field Sweeper Inc.
S a b r i n a B a s t e n, A u d r e y S a m s o n
{ R o g e r 1 0 - 4 }
Field Sweeper Inc. detects and makes audible electro-magnetic fields. Through mountains of electronic waste the field sweeper suit enables the scavenger to find the last bit of surviving electronics in an absurd meandering listening for the last peeps of these devices.
Transmoji
K i m A s e n d o r f + O l e F a c h
Jobless Avatars / The real curriculum
S a š o S e d l a č e k
Avatars just like people get jobless too, many of these speaking characters, virtual representatives and our alter egos are patiently waiting for someone to employ them, waiting until they either get a job or get outdated and trashed. I took few of these text to speech avatars and used them to tell the truth behind searching for a job, the truth behind the job applications. What do we do when applying for a job? We tell little lies about ourselves to fit in to the high requirements of the applications. We usually say all the best we can think about ourselves to get it. Our job applications are a sort of lying interfaces. Our virtual identities can provide us with the safety where we can tell lies, but also the truth. And these avatars are telling it. They are telling the real curriculums. Admitting that we are also lazy, not cooperative, inpatient, intolerant, have mental, alcoholic and drug problems, are badly educated and that we hate authorities. People are just like technology replaceable. People get replaced with youngsters and technology gets replaced with a new versions and new technological paradigms.
Urban Mine
Y u k o M o h r i
I made a diorama, imagining our lives, and the energy that we consume, being rooted deep down in mines of recycled junk. We're living illuminated by the glow of trash from previous times. We'll always on one side or the other of the afterglow.
BABEL
M a r i o d e V e g a
V i c t o r M a z o n
Remains of an animal killed by a human are exhibited on a pedestal. A battery powered circuit board receives EM activity. The system is modular and the output exponential.
Präparat
T i n a T o n a g e l
A toaster-skeleton gets hot and cools down in a breathing rhythm. The transformation / movement of the glowing heating-wire is very subtle, but visible and produces tiny little sound.
Hypno
Forrest Oliphant, Kawandeep Virdee
Surveillance methods include recording and processing people's faces. Hypno represents an abstraction and manipulation of facial detection.
PrintCade
J o n a h B r u c k e r - C o h e n
& M i c h a e l A n g
Printcade is a interactive installation that uses joysticks from the 80s to control dead printers and generate sound. The codead technology is reanimated in colorful 80s style!
S.M.S: Smoke Messaging Service
D e n n i s D e B e l
S.M.S. or Smoke Messaging Service, takes your device to the next level. Based on millennia of experience this iPhone hardware addon offers you safe, long distance, visual communication for free!
Detective Camera
N i k o P r i n c e n
Video documentation of participants of Art Hack Day singing the song "Detective Camera"
Polypalimpsestinator 2
H a n n e s H o e l z l
A l b e r t o d e C a m p o
A needle cuts grooves into a rotating candle, recording sound; a laser and diode read the sound; a moving tea light heats the candle and gradually erases the recorded grooves. This is part two in a series of recording devices that complete the memory cycle by remembering to forget.
MOST POWERFUL ART PIECE
J a c o b S i k k e r R e m i n
J e r e m y B a i l e y
D a v i d G a u t h i e r
Measuring the power use of each art piece installed at art hack day, a high score list will be compiled. once the MOST POWERFUL ART PIECE is found, a celebration will be held. only the the MOST POWERFUL ART PIECE will receive a prize.
Humanum Unknown Error
A m i r T a n n e
T s i l a H a s s i n e ( m i s s d a t a )
How many times have you been put through a CAPTCHA "human or machine" reverse Turing test? With the rapid progress in artificial intelligence, we can no longer be sure of the human qualities of the entities that surround us. It's time to take the test back.
strong arm
T o m o y a W a t a n a b e
Please find a nice stone and bring it into the exhibition. I'll digitize it, and assign it an IP address. Why is it that something as simple and pleasurable as throwing stones wasn't possible until now on the internet?
#ddosnowball
(Distributed Delivery of Snowballs)
B e r n h a r d G a r n i c n i g
"When the internet of things might feel a bit cold." With drones (UAVs) slowly taking over the sky above our heads and homes, a ubiquitous fear of sneak attacks out of the blue is not just a sign of paranoia anymore. #ddosnowball shows how social media will interact with the physical world in the future. Tweet your frenemy with the hashtag #ddosnowball and an irrevocable snowball attack is on its way.
TBD
F a b i e n A r t a l, J a n B e r k e l
Exploring the afterglow of berlin's ever-changing geography with a visualization+sonification.
Artificial Out of Body experience
M a r c e l S c h w i t t l i c k
After the Digital Breakdown and the collapse of our digital infrastructure we need to find clarity again. We need to find a way back to reality by using what we're left with: Technology.
Pong With Fruits
E m i l i e G e r v a i s
Idem
Parked Domain Gallery
Olof Mathé, Paul Christoph
& Art Hack Day participants
Thank you Basedworld
A r t h u r T r e s
Cook with Lil B and bring humanity to the Based afterglow.
Anmerkung & Buch
G e n t o M a t s u m o t o
l i s t o f a r t i s t s
Akihiko Taniguchi
Jamie Allen
Alma Alloro
Anthony Antonellis
Kim Asendorf
Jelili Atiku
Ralf Baecker
Jeremy Bailey
Jakob Bak
Lucas Bambozzi
Jan Berkel
Justin Blinder
Robert Böhnke
Fabiane M. Borges
Jonah Brucker-Cohen
Baptiste Caramiaux
Carl Emil Carlsen
Katrin Caspar
Budhaditya Chattopadhyay
Paul Christophe
Dennis De Bel
Alberto de Campo
Rachel de Joode
Mario de Vega
Marco Donnarumma
Constant Dullaart
exonemo
Ole Fach
Andreas Fischer
Daniel Franke
Verena Friedrich
Bernhard Garnicnig
Benjamin Gaulon
David Gauthier
Emilie Gervais
Annie Goh
Baruch Gottlieb
Andreas Greiner
Tsila Hassine
Thiago Hersan
David Huerta
IDPW
Daisuke Ishida
Jens Jørgensen
Geraldine Juárez
Quin Kennedy
Dmytri Kleiner
Kai Kreuzmüller
Rosemary Lee
Kristina Lindström
Jana Linke
Arthur Pointeau
Olof Mathé
Nicklas Marelius
Gento Matsumoto
Nancy Mauro-Flude
Victor Mazón
John McKiernan
Rosa Menkman
Yuko Mohri
MSHR
Igal Nassima
Forrest Oliphant
Julian Oliver
Johannes P Osterhoff
Dennis Paul
Daniel Ploeger
Niko Princen
Jacob Sikker Remin
Roger 10-4
Philipp Ronnenberg
Sebastian Schmieg
Marcel Schwittlick
Sašo Sedlaček
Bengt Sjölén
Nick Smithies
Wolfgang Spahn
Åsa Ståhl
Amir Tanne
Britta Thie
Tina Tonagel
Arthur Tres
Johan Uhle
Katerina Undo
Rachel Uwa
Danja Vasiliev
Christian Villum
Kawandeep Virdee
Helga Wretmann
xname
Fabien Artal
Laura Wadden
Shunya Hagiwara
Michael Ang
Priyanka Kodikal
Hannes Hoelzl
Tomoya Watanabe
Emma Bugg
Astrovandalistas
s t a f f c r e d i t
Artistic Director: Kristoffer Gansing
アーティスティック・ディレクター：クリストファー・ガンシング
Festival Manager: Markus Huber
フェスティバル・マネージャー：マーカス・フーバー
Programme Curators: Tatiana Bazzichelli, Marcel Schwierin
プログラム・キュレーター：タチアナ・バジチェリ、マルセル・シュウェリン
Conference Programme Chairs: Tatiana Bazzichelli, Ryan Bishop, Katrien Jacobs, Francesco Macarone Palmieri, Jussi Parikka
会議プログラム責任：タチアナ・バジチェリ、ライアン・ビショップ、カトリエン・ヤコブス、フランチェスコ・マカロン・パルミエリ、ジュッシ・パリッカ
Project Managers: Inga Seidler, Daniela Silvestrin
プロジェクト・マネージャー：インガ・シードラー、ダニエラ・シルヴェストリン
Programme Assistants: Christl Baur, Linnea Kotiniemi, Elena Mantoni, Konstantinos Stergiopoulos, Vena Ward, Mariana Ziku
プログラム・アシスタント：クリストル・バウア、リネア・コティニエミ、エレナ・マントーニ、コンスタンティノス・ステルジオポウロス、ヴェナ・ワード、マリアナ・ジク
Production Manager: Sibylle Kerlisch
制作マネージャー：シビル・ケーリッシュ
Technical Director: Phillip Sünderhauf
技術ディレクター：フィリップ・スーンデーホーフ
Administration
トランズメディアーレ運営
Administrative Manager & Finance: Katharina Gratzl-Karnitschnig
運営マネージャー＆経理：カタリーナ・グラツル=カーニシュニグ
Administration Assistance and Fundraising: Susanne Bernstein
運営アシスタント＆資金調達：スザンヌ・バーンスタイン
Guest Management: Christine Bernauer
ゲスト・マネジメント：クリスティーン・バーノー
Guest Services: Sanga Lenz
ゲスト・サービス：サンガ・レンズ
Communication
トランズメディアーレ広報
Marketing and Communications Manager: Filippo Gianetta
マーケティング＆広報マネージャー：フリッポ・ジャネッタ
Editorial Coordinator: Lina Zuppke
編集コーディネーター：リナ・ズッケ
Press Manager: Tabea Hamperl
プレス・マネージャー：タベア・ハンパール
Infocounter Management: Anja Faltin
インフォメーション・カウンター・マネージャー：アーニャ・ファルティン
Press & Communications: Emma Hovi, Lena Diekmann
プレス＆広報：エマ・ホヴィ、リナ・ディークマン
Documentation: Alysse Kushinski
記録：アリーズ・クシンスキ
transmediale/reSource
トランズメディアーレ／リ・ソーズ
Curator and Programme Developer: Tatiana Bazzichelli
キュレーター＆プログラム開発：タチアナ・バジチェリ
Project Management: Daniela Silvestrin
プロジェクト管理：ダニエラ・シルヴェストリン
Assistant: Spyros Acheimastos
アシスタント：スピロス・アケイマストス
transmediale/archive
トランズメディアーレ／アーカイブ
Research: Baruch Gottlieb
リサーチ：バルシュ・ゴットリーブ
Technical Support: serve-u (Phillip Sünderhauf, Andreas Buchholz, Marc Klische)
技術サポート：serve-u（フィリップ・スーンダーホーフ、アンドレアス・ブチホルズ、マーク・クリシェ）
Festival Graphic Design
グラフィック・デザイン
The Laboratory of Manuel Bürger: Manuel Bürger, Timm Häneke, Caroline Wolewinski
フェスティバル・グラフィック・デザイン：マヌエル・ブーゲー・ラボ（マヌエル・ブーゲー、ティム・ハネケ、カロリン・ウォレウィンスキ）
Festival Architecture
トランズメディアーレ施工
raumlaborberlin: Andrea Hofmann, Markus Bader, with Claire Mothais, Winnie Westerlund
raumlaborberlin（アンドレア・ホフマン、マーカス・ベーダー）、クレア・モタイス、ウィニー・ウェスタールンド
Website Development
トランズメディアーレウェブ開発
einskommanull: Sebastian Göbel, Laura Oldenbourg, Michael Scharnagl
einskommanull（セバスチャン・ゴーベル、ラウラ・オルデンボーグ、ミカエル・シャーナル）
Advisory board: Alex Adriaansens, Prof. Dr. Marie-Luise Angerer, Inke Arns, Prof. Dr. Dieter Daniels, Moritz von Dülmen, Jan Edler, Micz Flor, Hortensia Völckers
実行委員相談役会：アレックス・アドリアンセン、マリー=ルイーズ・アンゲラー博士、インケ・アーンズ、ディエター・ダニエルズ博士、モリッツ・フォン・ドゥルメン、ヤン・エルダー、ミクズ・フロル、ホルテンシア・ヴォルッケルス
Jan. 30, 2014 発行 1st edition
bb_B_00119639
bcck: http://bccks.jp/bcck/00119639/info
user: http://bccks.jp/user/127268
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